@article{hbkup:/content/journals/10.5339/messa.2015.11, author = "Abughaida, Yazan", title = "Dub, Dub-Key and Dabkeh: Palestinian Resistance through Reggae Music in Israel", journal= "Journal of Georgetown University-Qatar Middle Eastern Studies Student Association", year = "2015", volume = "2015", number = "1", pages = "", doi = "https://doi.org/10.5339/messa.2015.11", url = "https://www.qscience.com/content/journals/10.5339/messa.2015.11", publisher = "Hamad bin Khalifa University Press (HBKU Press)", issn = "2311-8148", type = "Journal Article", eid = "11", abstract = "Abstract Since the events of the Arab Spring, the Middle East has seen a significant rise in media that express resistance to oppression. Protestors and artists alike have made use of music to advance their political interests. The six-decade-old Palestinian-Israeli conflict significantly predates the Arab Spring, but it is not immediately clear if the events of the Arab Spring may have impacted the ways in which Palestinians express resistance. Palestinian reggae music draws our attention to the phenomenon of repurposing a foreign genre to create something separate, but meaningful, to Palestinians. In this study, we explore the Ministry of Dub-Key, a Palestinian reggae group. Through the analysis of their song ‘Dumyeh Plastikieh’ (Plastic Doll) as well as interviews with the band members, this research explores links between the band and the events of the Arab Spring.", }